Looking back on the sketches I made in Catacombe dei Capuccini, they seem to contain a lot of character and detail. It’s a different thing when you start to use the sketches as a basis for further work. Then it becomes apparent how relatively little information they contain. I’ve been making ink line and watercolour wash drawings, as a way of getting to know the shapes and forms. These naturally create variations on the form, which sometimes disappointed me at first, but then I realised it’s a way of claiming the images for myself, so I eventually get free of the actuality and take off in another direction. Another possibility will be to make 3D figures and use them as models for drawing. A couple of examples here can be compared with the previous post of the original sketches. I used a twig to draw the ink line, which produces some clumsiness in places, but has a different vitality from a pen line. So far, I am going with subdued colour that echoes the aged appearance of the mummies’ clothing.