For most of this year I had the sense of floundering somewhat to find the purpose of my work and connections between different pieces. Now I feel like I have a bit more of a clue. Strangely it’s associated with the evenings getting darker, since I Ilve in a seaside town, it’s hard not to be distracted by a long sunny summer. Currently there is more impulse to work and the confidence to work randomly if necessary, especially when the venture into 3D work uses up a lot of time. For example, the cardboard/fabric figures in the last post are still taking shape quite slowly, overcoming (trying to overcome) some technical problems.
Meanwhile, another idea occurred about the strange photo of my dad in the car. The most recent version is cardboard cutouts painted in gouache, two pieces. They could be displayed as low relief, or as hanging sections
And I’ve been obsessing with faces. There is a sheet of watercolour faces, but apparently my scanner can’t read the whole thing, so this row is representative.And a sheet of potato cuts. Some artist friends recently reminded me of this simple technique, which as it turns out is not so simple. Doing this experimental set has explained how to take them forward.